Still, it may be his fate to be celebrated as a contributor to the sub-genre now known as the ‘campus novel’ since his two best-known books must be Changing Places and Small World (1984). In the former, a British and an American academic exchange jobs (and much else) for a semester, while the latter takes the form of a grail quest pursued through a series of international scholarly conferences; both depict academic life largely in terms of comedy, sex and self-importance. Indeed, so little do the serious concerns of the scholarly world feature in these novels that some commentators have seen them as contributing, along with works such as Bradbury’s somewhat darker The History Man (1975), to the decline in public regard for universities and academic life in the 1970s and 1980s. Significantly, Lodge himself has discussed the campus novel more in terms of literary form than social effect. In a 1982 essay, he described the genre as ‘a form of stylised play … a modern, displaced form of pastoral’. That may be a helpful way to see his own campus novels (there are three if one includes Nice Work, published in 1988), while bearing in mind that pastoral usually functions as a vehicle for social criticism. It would be a mistake, however, to define his work exclusively in terms of this sub-genre: his fictional achievements are far more diverse and, in some respects, weighty than that.
Een blog waarop we de fictie delen waarin representatie van onderwijs centraal staat. Work-in-progress voor onderwijs, onderzoek en publicaties.
vrijdag 20 februari 2015
Lodge: campus novel
Stefan Collini reviews ‘Quite a Good Time to Be Born’ by David Lodge and ‘Lives in Writing’ by David Lodge · LRB 19 February 2015
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